Editorial cartoon depicting a man with a long Christmas list expressing his amazement at the size of the "List of Victims in Gigantic Oil Swindle" posted on a wall. Other people on the road also look to the list, including a man dressed up as Santa.

Editorial cartoon depicting a woman hearing hearing that there are only three days more of leap year. She plays a loud wedding march to a man, Henry, and talks to another man on the telephone while Henry is sitting in the other room.

Editorial cartoon depicting General Motors and strikers refuse to come to conference table.

Editorial cartoon depicting Uncle Sam threatening a Japanese diplomat over fair naval ratios in a proposal and showing the diplomat how the ratio would look with unlimited naval competition.

Editorial cartoon in three panels: Elephant suggests British resource-sharing plan to Democrats.

Editorial cartoon depicting Hitler asking how much land Britain has given to promote peace.

Editorial cartoon depicting three scenes featuring Henry Ford. In the first set of panels, he is shown riding in a car with a cheering crowd behind him in comparison to another car passenger who the people are seen to be angrily gesticulating at in a different panel. In the second set of panels, a crowd is seen boarding a train; in the next panel, a man watching from a caboose watches as many cars drive on the road parallel to the train. In the third set of panels, Ford gives money to "Automobile Advertising" and is flooded with papers.

Editorial cartoon in five panels. Man, Ambassador Gerard, wears the dress of his hosts in various world locations.

Editorial cartoon depicting three panels containing different cartoons. In the first panel, Cardinal Mundelein is shown; in the second panel, a man beams at a newspaper claiming economic recovery; in the third panel, DuPont explosives manufacturers supports munitions control.

Editorial cartoon depicting two panels, one from five years ago and one from contemporary time. In the first panel, Annapolis is shown looking down at the Great Lakes review, which only consists of a few soldiers and onlookers. In the second panel, the Great Lakes figure completely overshadows the Annapolis figure, and the field is full of soldiers, military vehicles, and civilians.