Information about this leaf: This manuscript is written on vellum in brown and red ink, with blue and red initial letters, by an Italian scribe.,Information about this book: This leaf comes from a book of approximately 300 pages which was part of the collection of the late Lord Berwick of Shrewsbury, England. Portions of the manuscript may be considered 11th century.,Information about this digital copy: digitized by University of Missouri—Columbia, MU Libraries on February 2, 2016. Scanning specifications: 600 dpi; scanned on Zeutschel OS 15000; cropped using Photoshop.,This leaf was identified from information on the label.

Information about this leaf: This manuscript is written on vellum in gothic German with red and blue initial letters.,Information about this digital copy: Information about digital copy: digitized by University of Missouri—Columbia, MU Libraries on January 27, 2016. Scanning specifications: 600 dpi; scanned on Zeutschel OS 15000; cropped using Photoshop.,This leaf was identified from information on the label.

Information about this leaf: Printed in a German type know as fraktur with at least three different type sizes. There are also woodcut initial letters in both gothic and roman style and marginal note, both in type and handwritten.,Information about this book: This book was an important work for both literary and political reasons. Martin Luther, by choosing his vocabulary with scrupulous care, "endowed Germany with a uniform literary language."n--from the label,Information about this digital copy: digitized by University of Missouri—Columbia, MU Libraries on February 23, 2016. Scanning specifications: 600 dpi; scanned on Zeutschel OS 15000; cropped using Photoshop.,This leaf was identified from information on the label. WorldCat records were used to glean additional information about the book.

Information about this digital copy: digitized by University of Missouri—Columbia, MU Libraries on February 3, 2016. Scanning specifications: 600 dpi; scanned on Zeutschel OS 15000; cropped using Photoshop.,This leaf was identified from information in the Pages from the Past inventory list.

Book identified using information on label.,Book information: Some of the woodcuts were done by Johannes Frank, and these wear his initials. However, others in the text are done by the publisher, who, like many printers at the time, included designing and woodcutting into his repertoire.

Information about the book: This is a book of devotions for the whole year, with a focus on scripture.,Information about this page: The typography of this book is in a lettre de forme, which is a type of gothic script. This is a deviation from the standard Paris printers using the lettre batarde. There are two small woodcut illustrations of people, one featured on each side of the page. The elaborate woodcut initials are also featured at the start of new sections.,Biographical information: The author, Petro Bailly, was both the writer and publisher of this piece. His name was orginally Pierre Balli (which is given in the books informational card) but on the OCLC record of this book (viewed 10-26-15) he is called Petro Bailly. According to his family heritage website, he changed his name before moving to North America.,Information on local copy: There is little staining throughout the page, and the text is still a very heavy black ink. On 231 there is some black line markings, and tape marks on top of both sides of page.,Publication information: 1525 is the year listed on the colophon, however, 1526 is the year listed on the OCLC record.

Information about the page: The back of this page shows a woodcut initial. The layout features two columns with a Gothic font that was done with a metal type. Because of this, the print is much bolder, and longer lasting than the already faded woodcut initial.,Information about the book: This is the 4th and final edition of the Mathew's Bible. It was printed six years before the standard King James version.,Biographical information: Thomas Mathew is an alias for John Rogers, the translator and commentator of this version.,Publisher information: This version of the text was printed for Robert Toye.,Information about local copy: On the front of the first page towards the bottom left, there is some unusual colored stains running up the side of the paper. There are also some small tape segments which cover portions of the text. On the back of the paper, there is the faded woodcut, but little to no staining or imperfections.

Book identified using information on label.,Information on author: The author also went by the name, Master Pietrus Lombardus.

Book identified using information on label.

Book identified using information on label.,Publisher information: Robert Estienne was successor to the more famous Henri Estienne.