Plate No. 3,Inventé, dessiné et dirigé par J. M. Weiss, graveur de la ville de Strasbourg.,Plate by Le Bas after Weis

Plate No. 6,Inventé, dessiné et dirigé par J. M. Weiss, graveur de la ville de Strasbourg.,Plate by Le Bas after Weis

Plate No. 8,Inventé, dessiné et dirigé par J. M. Weiss, graveur de la ville de Strasbourg.,Plate by Le Bas after Weis

Plate No. 2,Inventé, dessiné et dirigé par J. M. Weiss, graveur de la ville de Strasbourg.,Plate by Le Bas after Weis

Plate No. 10,Inventé, dessiné et dirigé par J. M. Weiss, graveur de la ville de Strasbourg.,Plate by Weis

Plate No. 5,Inventé, dessiné et dirigé par J. M. Weiss, graveur de la ville de Strasbourg.,Plate by Le Bas after Weis

Plate No. 7,Inventé, dessiné et dirigé par J. M. Weiss, graveur de la ville de Strasbourg.,Plate by Le Bas after Weis

Editorial cartoon in two panels: U.S. wins battles in Pacific, loses them in Atlantic.

Editorial cartoon depicting three scenes in three different panels. In the top panel, Uncle Sam stands in a garden of Americanism surrounded by crows labeled "Unassimilable Asiatic Immigration" and "Undesirable European Immigration." In the middle panel, Uncle Sam is putting up two signs along the coast: "Exclusion of Chinese" and "Exclusion of Japanese Immigrants" while a figure representing Japan, a country who also has exclusion signs for China and Korea, watches. In the third panel, the same figure from Japan gestures with an angry face and Japanese Emigrants behind him, while Uncle Sam proudly shows off a sign welcoming only particular groups of Japanese people: tourists, students, scientists, etc.

Editorial cartoon depicting three different scenes. In the first panel, women re-entering the United States with Mexican divorce papers are charged a tariff on the divorce. In the middle panel, a nobleman is leaving his wife, an American heiress, at home to go and buy some cigarettes. In the bottom panel, two men discuss going home if the exchange rate gets any worse.

Editorial cartoon depicting Hoover, holding a "Continued Prosperity" banner, leading the G.O.P. elephant across the "Bridge to the Presidency".

Editorial cartoon depicting a man and a woman sitting at a table, seemingly in conversation.

Editorial cartoon depicting nine men waiting outside FDR's door.

Editorial cartoon depicting two men on a porch watching multiple Congressional committees investigating various things, such as a crime wave, railways, the peace plan, the "Tea pot dome oil lease scandal", charges against Bolshevism, and several different propaganda groups.

Editorial cartoon depicting two tariff orators--one from the GOP and the other from the Democratic Party--backstage preparing to face off in front of spectators.

Editorial cartoon depicting a hand writing out a check from the National Bank of Chicago for the "Italian Relief Fund." Behind the hand, figures representing New York, St. Louis, California, and Chicago all carry bags or baskets labeled "Relief for Italy."

Editorial cartoon depicting a man who is morose in first two panels; he sits with a notice about rent while four other men stare and talk among themselves. In the last two panels, set several years later, the man is smiling and in new clothes while at a job; the four other men run over to him with arms outstretched.

Editorial cartoon depicting a ship labeled the "William P. Frye" being sunk by a ship labeled the "Prinz Eitel Friederich." In the next panel, the crew of the Frye waves the Friederich ship on as it sails to open sea. British cruisers can be seen near the horizon line on the water. The William P. Frye was an American merchant vessel sunk in 1915 after encountering a German ship.

Editorial cartoon depicting six panels comparing and contrasting old fashioned weddings to contemporary ones, where the vows are temporary.

Editorial cartoon depicting three different things in three separate panels: a man suggesting Constitution Week and Uncle Sam refusing, the same man imposing limitations of air armament on top of naval limitations in the U. S., and a personification of Germany on trial for—ostensibly—war crimes.