Editorial cartoon depicting three different scenes. In the first panel, women re-entering the United States with Mexican divorce papers are charged a tariff on the divorce. In the middle panel, a nobleman is leaving his wife, an American heiress, at home to go and buy some cigarettes. In the bottom panel, two men discuss going home if the exchange rate gets any worse.

Editorial cartoon depicting a man and a woman sitting at a table, seemingly in conversation.

Editorial cartoon depicting nine men waiting outside FDR's door.

Editorial cartoon depicting two men on a porch watching multiple Congressional committees investigating various things, such as a crime wave, railways, the peace plan, the "Tea pot dome oil lease scandal", charges against Bolshevism, and several different propaganda groups.

Editorial cartoon depicting six panels comparing and contrasting old fashioned weddings to contemporary ones, where the vows are temporary.

Editorial cartoon depicting three different things in three separate panels: a man suggesting Constitution Week and Uncle Sam refusing, the same man imposing limitations of air armament on top of naval limitations in the U. S., and a personification of Germany on trial for—ostensibly—war crimes.

Editorial cartoon depicting men representing nations dancing around "war" organ grinder. The League of Nations watches from a window.

Editorial cartoon depicting the Isolationist Congress and pro-League of Nations White House argue.

Editorial cartoon depicting three stock jugglers holding up a "panic" head on a stick to attempt to ward off someone seen only as a shadow on the wall, seemingly holding a sword. The shadowy figure appears to be heading toward a sign pointing to "Good government."

Editorial cartoon in three panels. In the first panel, a man is seen speaking to a large crowd about the need for the Axis Nations to be quarantined. In the middle panel, a crowd of New York citizens stand on the banks of the Hudson river with war drums and banners, yelling at the Midwest to get into the war spirit. In the third panel, Uncle Sam is standing on the other bank, yelling back at them to stop the "slurs" against the Midwest and gesturing toward a huge stone plaque showing the numbers of voluntary enlistments and war bonds bought for the Northeast versus the Midwest. The Midwest numbers are larger in every category.

Editorial cartoon depicting a man with a long Christmas list expressing his amazement at the size of the "List of Victims in Gigantic Oil Swindle" posted on a wall. Other people on the road also look to the list, including a man dressed up as Santa.

Editorial cartoon depicting a woman hearing hearing that there are only three days more of leap year. She plays a loud wedding march to a man, Henry, and talks to another man on the telephone while Henry is sitting in the other room.

Editorial cartoon depicting General Motors and strikers refuse to come to conference table.

Editorial cartoon depicting Uncle Sam threatening a Japanese diplomat over fair naval ratios in a proposal and showing the diplomat how the ratio would look with unlimited naval competition.

Editorial cartoon in three panels: Elephant suggests British resource-sharing plan to Democrats.

Editorial cartoon depicting Hitler asking how much land Britain has given to promote peace.

Editorial cartoon depicting three scenes featuring Henry Ford. In the first set of panels, he is shown riding in a car with a cheering crowd behind him in comparison to another car passenger who the people are seen to be angrily gesticulating at in a different panel. In the second set of panels, a crowd is seen boarding a train; in the next panel, a man watching from a caboose watches as many cars drive on the road parallel to the train. In the third set of panels, Ford gives money to "Automobile Advertising" and is flooded with papers.

Editorial cartoon in five panels. Man, Ambassador Gerard, wears the dress of his hosts in various world locations.

Editorial cartoon depicting three panels containing different cartoons. In the first panel, Cardinal Mundelein is shown; in the second panel, a man beams at a newspaper claiming economic recovery; in the third panel, DuPont explosives manufacturers supports munitions control.

Editorial cartoon depicting two panels, one from five years ago and one from contemporary time. In the first panel, Annapolis is shown looking down at the Great Lakes review, which only consists of a few soldiers and onlookers. In the second panel, the Great Lakes figure completely overshadows the Annapolis figure, and the field is full of soldiers, military vehicles, and civilians.